Plinio Nomellini

Leghorn 1866 - 1943 Florence
Oil and pastel on canvas
Signed bottom right: Nomellini

LITERATURE:
Gli arredi Spicciani. Tradizione lucchese e istanze internazionali nella produzione del mobile artistico toscano tra Ottocento e Novecento, by A. Belluomini, G. Borella, Florence 2006, p. 118-119

EXHIBITIO

Meister der Chronique Scandaleuse

Book of Hours for Françoise de Bellecombe with 103 miniatures by the Master of the Chronique Scandaleuse
Illuminated manuscript on vellum
Manuscript 40 in Edmond de Rothschild's' collection. Complete and in mint condition.

Conrad von Toul (Meister der Münchner Legenda Aurea)

Book of Hours for Jean Troussier, Seneschal of Brittany
Illuminated manuscript on vellum
With 20 large miniatures by Conrad of Toul and one magnificent miniature by the Dunois master.

Mirror Case, France, Paris
c. 1310-1320
Ivory, 10 x 9.5 cm

Apostle, South Germany, Franconia
c. 1500
Lindenwood with original polychromy and gilding, height 90 cm

Günther Uecker

Wendorf, Mecklenburg 1930
Strömung (Current)
1972
Nails on canvas on wood
Perfect Matches: a crossover of different cultures and epochs. Günther Uecker 'Strömung', Leiko Ikemura 'Badende', bronze, and 'Madonna and Child' (unknown artist), wood, painted, around 1520.

Emil Nolde

1867 - 1956
1908

Sonia Delaunay

1885 - 1979
1964

Egon Schiele

Tulln 1890 - 1918 Vienna
Reclining Girl with Raised Skirt
Pencil on Paper
Catalog raisonné Jane Kallir, Female Studies No. 1737

Zoran Mušic

Bukovica (Austria-Hungary) 1909 - 2005 Venice
Cavallini
Horses appeared with long legs and no hoofs, with slender necks, elegant bodies and the lively look shared by the horses of the Neolithic. These are elegant horses, half-tame and half-wild. Their slender silhouettes standing out against the horizon in blu

Julius Robert Hannig

Liegnitz 1866 - 1931 Tabarz
Amor sitting on a rock writing on a board of seasons next to him a stork
1887 - 1900
marble
Exhibition:
Große Berliner Kunstausstellung 1898, cat.-no. 1338, p. 77

Guido Righetti

Milano 1875 - 1958 Milano
Polar Bear
signed
"fonte cire perdue"
Landowski foundry, "E.O No 2/8"

Max Pechstein

Zwickau 1881 - 1955 Berlin
Fruit basket
1930
Oil on canvas
Signed and dater lower right: HM Pechstein 1930
Catalogue raisonné: Soika II 1930/6

Ernst Wilhelm Nay

Berlin 1902 - 1968 Cologne
Couple
1942
Signed and dated lower left: EW Nay 42
Catalogue raisonné: Claesges 42-067

Georg Hornemann

1940
2018

Georg Hornemann

1940
2015

Jirí Georg Dokoupil

1954
2018

Hubert Scheibl

1952
2017/18

Emil Nolde

Nolde 1863 - 1956 Seebüll
Seascape
1935
Watercolor
Signed, Sold with Urban Expertise, Nolde Foundation, 1995

Francis Picabia

Paris 1879 - 1953 Paris
Le Port
1924
Ripolin on canvas
Signed, Catalogue raisonné, Vol. II, Nr. 902

Emil Nolde

Nolde/North Schleswig 1867 - 1956 Seebüll/Schleswig-Holstein
Johanna Schiefler
1920
Watercolour on Japan paper
Certificate of authenticity by Prof. Dr. Manfred Reuther, Nolde Foundation Seebüll, 1 April 2013

Goblet with diamond-point engraving and cold painting
Tirol, um 1570
Hofglashütte Innsbruck

Maria Lassnig

Kappel am Krappfeld, Kärnten 1919 - 2014 Wien
Le jeu du destin
1999
oil on canvas
Betitelt Mitte oben: Le jeu du destin

Tony Cragg

Liverpool 1949
Willow
2014

Banksy

Bristol 1974
Heavy Weaponry
2004
spray paint on canvas
Tagged in red on right hand overlap, unique character, COA

Tom Wesselmann

Cincinnati 1931 - 2004 New York
Monica in half slip
1986
Liquitex on Bristol Board
Signed, dated on the front

Guiseppe Grandi

Valganna 1843 - 1894 Valganna
Young Beethoven
1874
Bronze

Gabriel von Max

Prague 1840 - 1915 Munich
Salome
um 1906
Oil on canvas

Sam Francis

San Mateo/USA 1923 - 1994 Santa Monica/USA
Dense and Now (SFF.1587)
1989
Acrylic on canvas
Signed, dated and from the Atelier "SFP89-20" numbered on the verso; Catalogue Raisonnée Burchett-Lere 2011 Nr. SFF.1587;
The work has been registered under the no. SFP89-20 in the Archiv of the Sam Francis Foundation, Glendale, USA

Lyonel Feininger

New York 1871 - 1956 New York
a passing Sail
1933
Certification of Authenticity by Achim Moeller, Director of the Lyonel Feininger Project LLC, New York

Herbert Zangs

Krefeld 1924 - 2003 Krefeld
um 1980

Karl Otto Götz

1914 - 2017
1956

Carl Christian und Friedrich Christian Schroedel

Dresden 1745 - 1810 Dresden
Royal German round silver dish and cover (cloche)
1767
Silver, embossed, cast, engraved
This large silver dish and cover stamm from the silver chamber at the Royal Wettin-Court, Dresden. These silver parts with the monogram ‘FA’ (like on this cloche) present a uniform style and build up the so-called family silver collections.

John & John Samuel Mortimer & Hunt

1838-43 (active) na - na London
Royal silver gilt table-bell for Frederick William, King of Prussia
1839
Silver, gilt, cast, chiseled, engraved
This magnificent silver-gilt table bell is adorned with roses, thistles and shamrock, national symbols of England, Scotland and Ireland. The oak is a national symbol of Germany. With the engraved monogram of Frederick William IV; a gift from QueenVictoria

Heinz Mack

1931
1957

Herbert Zangs

1924 - 2003
1980

Jean Dunand

Lancy 1877 - 1944 Paris
La Retour des Chasseurs
1935
Carved gold lacquer and color lacquer
Upper right section of the grand mural La Chasse in the Smoking Salon on the ocean liner Normandie

Jean Dunand

Lancy 1877 - 1944 Paris
La Retour des Chasseurs
1935
Carved gold lacquer and color lacquer
Upper right section of the grand mural La Chasse in the Smoking Salon on the ocean liner Normandie

Adolph von Menzel

Breslau 1815 - 1905 Berlin
Stehender Mann im Gebet mit gefalteten Händen
1890
Zimmermanns-Bleistift partiell gewischt, auf Papier

Johann Daniel Preissler

Nürnberg 1666 - 1737 Nürnberg
Studie eines sitzenden, männlichen Aktes
um 1700
Rote Kreide über Bleistift auf Büttenpapier

Italian Renaissance Casket "a la certosina", Venice
ca. 1600
walnut inlaid “a la certosina” with mother-of-pearl

Meister des Zwickauer Hochaltars

German Gothic Madonna on the crescent moon
1480 Nürnberg
Prov.: Bayer.Nationalmuseum cat.of 1896/Nr. 1066
(marked on backside), Private coll. Germany
Lit.: Bayer.Nationalmuseum Cat.VI, Munich 1896,
Nr.1066, plate XIX

Erich Heckel

Döbeln/Sachsen 1883 - 1970 Radolfzell
Red rider
1923
Coloured chalk over pen and black ink on thin cardboard (postcard)

Karl Schmidt-Rottluff

Rottluff b. Chemnitz 1884 - 1976 Berlin
Groynes on the beach at Jershöft
1921
Watercolour over pen and ink on thin cardboard (postcard)

Albrecht Dürer

Nuremberg 1471 - 1528 Nuremberg
RHINOCERUS
1515
Woodcut
One of Dürer's most popular pictorial creations.

Rembrandt Harmenszoon van Rijn

Leiden 1606 - 1669 Amsterdam
Cottage and Boundary Post on the Spaarndammerdijk
c. 1650

Horst Antes

Heppenheim 1936
Rote maskierte Figur vor Ocker
ca 1975
Aquatec on paper
signed lower left: Antes

Lothar Quinte

Neiße, Oberschlesien (Nysa, Poland) 1923 - 2000 Wintzenbach (France)
Corona 72 Blau
1972
Acrylic on Canvas
signed and titled on the back of the stretcher frame

Lynn Chadwick

London 1914 - 2003 Stroud/Gloucestershire
Two lying figures in base
1974
bronze with black-green patina
The sculpture is incised on the upper lateral edge with the artists signet, numeration, work number '679' and further the foundry mark 'Morris Singer, London'. Exemplar 3/8.

Franz Marc

Munich 1880 - 1916 Braquis
Three female nudes in countryside
1910
Pencil and coal on paper

Friedrich und Michael Pacher, Umkreis

Tyrol 1435 - 1498 Salzburg
Triptych “Virgin and Child”
um 1475
Panel paintings on gold ground
Triptych “Virgin and Child”
South Tyrol, circle of Friedrich Pacher (South Tyrol, c. 1435 – after 1508 Bruneck)
and Michael Pacher (Tyrol, c. 1435 – 1498 Salzburg)

Saint George
um 1530

Michael Kenna

Widnes, Lancashire, England 1953
Huangshan Mountains, Study 51, Anhui, China
2017
Sepia toned gelatin silver print
Signed, dated and editioned on recto, below the print
Edition of 4 plus 1 Artist Proof

Angel and Anna Albarrán Cabrera

Barcelona/Sevilla 1969
The Mouth of Krishna SE, #60763
2018
Pigments, gampi-paper and gold leaf
Signed, titled, dated and numbered in pencil on verso
Edition of 10

Lyonel Feininger

New York 1871 - 1956 New York
Accented
1946
indian ink and watercolour on paper
signed lower left "Feininger" and dated lower right "July 22nd 1946".
With a certificate by Achim Moeller, Lyonel Feininger Project LLC, New York.

Pia Fries

Beromünster, Switzerland 1955
Tiss
2006
signed, dated and titled verso.
Provenance: Mai 36 Galerie, Zürich. Bernhard Jacobson Gallery, London.

Gerold Miller

Altshausen, Germany 1961
Verstärker 11
2016
gold-plated aluminum

Peter Krauskopf

Leipzig, Germany 1966
Z, B 151218
2018
oil on linen

Jean-Charles Blais

1956
Untitled
2017
Gouache, ink, pencil and montage on paper
Signed and dated „8 11 17“ recto and verso

Thomas Müller

1959
Untitled
2018
Signed and dated verso.

Robert Elfgen

Wesseling on the Rhine 1972
Kipawa
2018
brass, wood, mixed media

Hansjoerg Dobliar

Ulm 1970
Supermassive Landscape I
2017
Acrylic, oil and lacquer on canvas

Masao Yamamoto

Gamagori City, Aichi, Japan 1957
#1658, Kawa=Flow
Gelatin silver print, Edition 20

Pierre Jeanneret

Geneva 1896 - 1967 Geneva
Advocate Chair
1955-56
Designed together with Le Corbusier.

Werkstatt Monogrammist VBL tätig in Zürich und Neapel

Escape to Egypt
Mitte 17. Jhd.
Reverse glass painting

Boucheron Paris

Paris
Earclips in the shape of feathers
Um 1950
18 k gold, finely chiselled

Jörg Immendorff

Bleckede 1945 - 2007 Düsseldorf
Welche, Jean-Paul? (Which ones, Jean-Paul?)
1991
Oil on canvas
Signed and dated upper right, titled lower left of the middle

Georges Braque

Argenteuil, France 1882 - 1963 Paris, France
La Route
1927
signed on lower right: G. Braque

Friedensreich Hundertwasser

Vienna 1928 - 2000 On board of the Queen Elizabeth II
La Pluie
1959
Oil, egg-tempera and watercolour on paper, primed with chalk, mounted on canvas

Joseph Maria Olbrich

Troppau 1867 - 1908 Dusseldorf
Glass Cabinet
um 1905