Alfons Walde
Oberndorf, Tyrol 1891 - 1958 Kitzbühel, TyrolThe Ascent
Oil on Cardboard
signed on the bottom left; original frame from Walde
Franz Sedlacek
Breslau 1891 - 1945 missed since 1945 in PolandThe Street
1939
Oil on unknown Material
monnogrammed and dated on the bottom left
Otto Piene
Bad Laasphe, Germany 1928 - 2014 BerlinSt. Elmo's Flower
1972
signed and dated on the bottom right
Thomas Ender
Vienna 1793 - 1875 ViennaView of the Campagna Romana from Villa Aldobrandini in Frascati
ca. 1840
Oil on Canvas
Comp.: The central motif of the three pines with the view of the Campagna di Roma is prepared by Thomas Ender in a study titled "Landschaftsmotiv bei Rom" in the Collection of the Albertina, Vienna (pencil, watercolour on paper, 24,3 x 41,5 cm; Inv. Nr. 3
Albert Paris Gütersloh
Vienna 1887 - 1973 ViennaSelf-portrait
1913
oil on canvas
Literature: Exhib.-cat.: "Wiener Schule des Phantastischen Realismus", Museum am Ostwall, Dortmund, 1979, cat.-no. 184; Exhibition: "Wiener Schule des Phantastischen Realismus", Museum Ostwall, Dortmund, 1979
Carl Schuch
Wien 1846 - 1903 ViennaForest Edge at Purkersdorf by Vienna
1872
Exhib.-cat.: "Carl Schuch - ein europäischer Maler", A. Husslein-Arco (ed.), Österr. Galerie Belvedere, Vienna, 2012, ill. (b/w) 13 (p. 19); Certificate by Dr. Roland Dorn, 8. November 2016
The present painting will be included in the forthcoming catalo
Kreis von Martin Gizl (Österreicher, 1707–1786) Circle of Martin Gizl (Austrian, 1707–1786)
A SILVER-GILT MOUNTED IBEX HORN TANKARD. SALZBURG 18TH CENTURY.A rare alpine ibex horn carved overall in relief depicting scenes of ibex hunt. Silver-gilt mount.
A SILVER-GILT MOUNTED IBEX HORN TANKARD
A rare alpine ibex horn carved overall in relief depicting scenes of ibex hunt.
Salzburg 18th century
Circle of Martin Gizl (Austrian, 1707–1786)
Giacomo Raffaelli (1755–1836), zugeschrieben attributed to Giacomo Raffaelli (1755-1836)
VIEW OF TIVOLI FALLSMicro mosaic
An Italian micro mosaic depicting the view of Tivoli, within a Greek-key border and carved gilt wooden frame.
Rome, first quarter 19th century, attributed to Giacomo Raffaelli (1755-1836)
Erste Hälfte 17. Jahrhundert first half of 17th Century
Italian silver salt in the shape of wellImportant Italian silver salt in the shape of well. Venice, or Venetian empire, first half of 17th century. Eight-side, flat-chased twice with armorials, four male figure supports, Neptune finial and female brackets holding shells, marked throughout. Make
Werner Scholz
Berlin 1898 - 1982 Alpbach/TirolMurder
1930
Oil on cardboard
Dated lower right
Catalogue raisonné: Grasse 154/36
Exhibitions: Museum Folkwang (1931); Märkisches Museum (1968); Musée des Beaux-Arts Lyon (1970)
Christian Rohlfs
Groß Niendorf 1849 - 1938 HagenThree nuns
1919
Tempera
Monogrammed and dated lower right: CR 19
The work is registered at the Christian Rohlfs Archive with the number CRA 162/17.
Josef Scharl
Munich 1896 - 1954 New YorkMan with black beard
1928
Signed and dated upper right
Catalogue raisonné: Lukas 106
Exhibition: Paula Modersohn-Becker Museum (2018)
Andreas Feininger
Paris 1906 - 1999 New YorkS.S.United States, New York Harbour
1952
Gelatin Silver Print
recto signed, verso titled, dated, numbered
Cecil William Stoughton
Oskaloosa, Iowa 1920 - 2008 Merritt Island, FloridaMarilyn Monroe and John F. Kennedy
1962
handmade print on rasin coated paper
recto signed, numbered 1/1
Georg Baselitz
Deutschbaselitz 1938 - 1938Untitled (Forrest)
2006
Gouache on paper
Signed and dated
Provenance:
Galleri Bo Bjerggaard, Denmark
Private Collection, Denmark
Michael Werner Kunsthandel, Cologne
Ernst Wilhelm Nay
Berlin 1902 - 1968 CologneFugale Komposition
1951
Gouache and pencil on board
Signed and dated
The work will be listed in the Online-Cat.-Rais. under No.: CR: 51-441.1
Gerhard Richter
Dresden 1932Souvenir
1995
Signed, titled and numbered on reverse
Hubertus Butlin, Stefan Gronert (Hrsg.), Gerhard Richter. Editions 1965-2004, Ostfildern-Ruit 2004, S. 232, Nr. 75.
Ernst Moritz Geyger
Rixdorf 1861 - 1941 FlorenceWisdom
1887
Oil on canvas
Provenance:
Richard Müller, Dresden
Private Collection
DODO (Dörte Clara Wolff) DODO (Dörte Clara Wolff)
Berlin 1907 - 1998 LondonBehind Bars
1929
Gouache over pencil on cardboard
Literature:
ULK, no. 25, June 21, 1929, repr. back cover
Franz von Stuck
Tettenweis (Bavaria) 1863 - 1928 MunichJudith and Holofernes
um 1927
Provenance:
Private Collection
Exhibition:
Divine Decadence”, Kasteel van Gaasbeek, Belgium 2016, repr. p. 96
Literature:
See Heinrich Voss, Franz von Stuck 1863–1928. Werkkatalog der Gemälde mit einer Einführung in seinen Symbolismus”, 1973
Augustus Rex beaker vase
Meissen 1725-27
39 cm high
Painted by Johann E. Stadler with Chinese figures and ‘Indian flowers’ in ‘famille verte’ style
Provenance: Westphalian private collection
Meissen 1725-27
39 cm high
Painted by Johann E. Stadler with Chinese figures and ‘Indian flowers’ in ‘famille verte’ style
Provenance: Westphalian private collection
Nymphenburg Figure of a kowtowing Chinese Man
ca. 1757
Model y Franz Anton Bustelli
‘Rautenschildmarke’ on the pedestal next to the left elbow
Burning hole: Ø 2.2 cm
There is only 1 other figure known
ca. 1757
Model y Franz Anton Bustelli
‘Rautenschildmarke’ on the pedestal next to the left elbow
Burning hole: Ø 2.2 cm
There is only 1 other figure known
Two plates from the Earl of Jersey service
Meissen 1739/40
Underglaze blue swordsmark
One piece with moulder’s no. „16“
‘Alter Ausschnitt’
Painted with ‘contour’ Chinese figures in sea and mountain landscapes
Meissen 1739/40
Underglaze blue swordsmark
One piece with moulder’s no. „16“
‘Alter Ausschnitt’
Painted with ‘contour’ Chinese figures in sea and mountain landscapes
Adolf Fleischmann
Esslingen 1892 - 1968 StuttgartRelief paintimng #12
1960
Oil and corrugated cardboard on canvas
Signed and dated on the rear
Herbert Zangs
Krefeld 1924 - 2003 Krefeld'Ohne Titel' (Verweißung)
1975
dispersion paint on corrugated cardboard
Signed and dated on the bottom left
estate stamp on the rear
Willi Baumeister
Stuttgart 1880 - 1955 StuttgartSteinige Metamorphose mit dunkler Figur
1948
Signed and dated on the bottom right
catalogue raisonné Pokert 1802
Tobias Schaumann I
Ulm 1577 - 1647 AugsburgGERMAN NEF (SHIP) OF THE SEVENTEENTH CENTURY, SILVER, PARTLY-GILT
1620
Silver, gilt, embossed, engraved, cast
In the German speaking countries, ships were used since the early sixteenth century as drinking vessels or table decoration, placed often in the centre. They were mostly used to accent the status of a specific person at a diner table.
Johann Friedrich Breuer
Wroclaw 1680 - 1753 AugsburgIMPORTANT GERMAN MONTEITH-BOWL, SILVER, GILT INSIDE
1703
Silver, gilt, embossed, cast
The shape of the monteith-bowl became common in the last quarter of the 17th century in England. The outstanding decorative motive of this monteith is a moon goddess, most probably Selene (latin: Luna).
Franz Peter Bunsen
Hanover 1725 - 1795 HanoverTWO PAIRS OF ROYAL SILVER SAUCEBOATS FROM THE HANOVER SERVICE OF GEORGE III WITH THEIR SERVING LADLE
1766, 1779
These magnificent pairs of rococo sauce-boats are royal commissioned. Underneath the bow, the cypher “GR/III” under crown for George III (1738-1820), King of Great Britain and Ireland, Elector and since 1814 King of Hanover.
Richard Müller
Tschirnitz 1874 - 1954 Dresden1935
Pencil, partially smeared, on paper
Signed and dated with pencil on the bottom left: Rich. Müller 1935
The artist's estate
Rudolf Schlichter
Calw 1890 - 1955 Munichum 1926
black chalk on light brown paper
Signed with pencil on the bottom right: R. Schlichter, titled on the bottom left: Auf dem Anstand
Edward Th. Compton
Stoke Newington (GB) 1849 - 1921 FeldafingVerso: old label
Signed with a brush in red on the bottom right: E. T. Compton
Kaiserliche Werkstätten Ekaterinburg
A Pair of Russian Empire ormolu-mounted Jasper vasesca. 1820
Russian Jasper with ormolu mounts
attr. to the Imperial Workshops Ekaterinburg
Jacques Dubois
Pontoise 1694 - 1763 ParisA Louis XV ormolu-mounted Kingwood Bureau-Plat
1745
Kingwood, ormolu-mounts with "c coronné"
Jacques Dubois, maître 1742
Johann Baptist Straub
Wiesensteig 1704 - 1784 MunichAllegory of spring
1765/ 70
Prov.: Collection R. Hofstätter, Palais Strudlhof, Vienna.
Franz Marc
Munich 1880 - 1916 near VerdunHorses Resting
1911/12
Woodcut
Alexej von Jawlensky
Torshok 1864 - 1941 WiesbadenGroße Meditation: Fegefeuer I
1937
Oil on paper
Lyonel Feininger
New York 1871 - 1956 New YorkDampfer und Segelboote
1938
Early design for the executed mural at the Marine Transportation Building of the New York World's Fair 1939/40
Peter Brüning
Düsseldorf / Germany 1929 - 1970 Ratingen / GermanyUntitled
1964
Oil and crayon on canvas
Literature: Marie-Luise Otten: Peter Brüning. Studien zu Entwicklung und Werk. Werkverzeichnis, Köln 1988, S. 396, Nr. 554, Kat. Nr. 75
Robert Mangold
North Tonawando, N.Y. 19371/6 GRAY-GREEN AREA CIRCLE
1966
Oil, sprayed on wood
Literature: Robert Mangold, Schilderijen/Paintings 1964-1982, Amsterdam 1982, No. 55
Roman Opa?ka
Hallencourt, France 1931 - 2011 Rome, Italy"OPALKA 1965/1 DETAIL 58885-89204"
1965
Wilhelm Lehmbruck
Duisburg 1881 - 1919 BerlinGirl with leg resting on a rock
1910
bronze
inscribed and stamped on reverse: Lehmbruck Paris H. Noack Berlin-Friedenau
Provenance:
Anita Lehmbruck, Berlin
Lehmbruck Family, Stuttgart - Karlsruhe
Marlborough Fine Art, London
Privatsammlung, USA
Exhibitions:
Leopold Museum, Vienna, „Wilhe
Paul Klee
Münchenbuchsee/Switzerland 1879 - 1940 Muralto/SwitzerlandNordafrikanisch
1920
watercolor and oil transfer on paper on cardboard
dated, numbered and inscribed on the cardboard "1920.1. Afrikanisch"
Provenance:
Galerie Neue Kunst (Hans Goltz), Munich, July 1920
Robert Laurent, Indianapolis
John Laurent, New Hampshire
private collection
Literature:
Margareta Benz-Zauner,
Lyonel Feininger
New York 1871 - 1956 New YorkLate Afternoon
1938
signed, titled and dated „Feininger Late afternoon, Baltic 14.8.38“
Provenance:
Julia Feininger, New York
Marlborough Fine Art, London
Private Collection, Germany
Exhibitions:
Haus Beda, Bitburg, „Meister der Klassischen Moderne“, September 29
Renaissance Neck Watch
um 1580
Case: bronze, fire-gilt, Movement: brass, iron
Literature: Klaus Maurice, Die deutsche Räderuhr, vol II., Munich 1976, compare no. 437 a, b and c.
um 1580
Case: bronze, fire-gilt, Movement: brass, iron
Literature: Klaus Maurice, Die deutsche Räderuhr, vol II., Munich 1976, compare no. 437 a, b and c.
Umkreis Veit Stoß
Horb am Neckar 1447 - 1533 NurembergSaint Peter
um 1500
Lime wood, reverse hollowed out
Virgin and Child
um 1510
Danube School
um 1510
Danube School
Christopher Thomas
Munich 1961Blissfulness 01
2012
Pigment print on Baryta-Paper
Contemporary Vintage Print, Edition of 5 plus 2 APs
Albarrán Cabrera Angel und Anna
Barcelona / Sevilla 1969The Mouth of Krishna #715
2018
Pigment Print on Japanese Gamp-Paper on gold leaf
Contemporary Vintage Print, Edition of 20 plus 2 APs
Miho Kajioka
Japan 1973BK0004
2003
Contemporary Vintage Print, Edition of 10 plus 2 APs
Günter Fruhtrunk
Munich 1923 - 1982 MunichZwei Kreise
1958/63
Acryl auf Leinwand
signed verso FRUHTRUNK and monogrammed ftk, titled ZWEI KREISE, dated 1958 überarb. 63 and marked 21 bis AV. D´IENA, PARIS
Rupprecht Geiger
Munich 1908 - 2009 MunichG. 22/82
1982
Graphite and collage on paper
signed verso Geiger, titled G.22/82, Teil 1 und Teil 2, dated 1982 and marked M11
Georg Karl Pfahler
Emetzheim 1926 - 2002 Emetzheim (Weißenburg)BR-TEX 1966
1966
signed verso G.K. Pfahler, dated and titled BR-TEX 1966 and marked Adlerstrasse 33, Fellbach M
Emil Nolde
Nolde, Schleswig 1867 - 1956 SeebüllYoung Girl from Friesland
1925-1930
watercolour on Japan paper
signed lower left
© Nolde Stiftung Seebüll 2018
Peter Blake
Dartford 1932After Pollaiuolo's 'Apollo and Daphne
1996
oil on canvas
signed, dated and titled on overlap
© VG Bild-Kunst, Bonn 2018
Max Pechstein
Zwickau 1881 - 1955 BerlinBathers i
1911
signed and dated '1912' lower right
edition 15 on Japan paper, 8 hand coloured prints on laid paper, and single hand prints, further prints 1912
© VG Bild-Kunst, Bonn 2018
Vatikanische Werkstätten
Vatican workshops 1810/20micro-mosaics parure
1810/20
micro-mosaics and gold parure
Mosaic plaques of ancient architectural sites in Rome and the Campagna, e.g. Colosseum, Pantheon, Tomb of Caecilia Metella, Ponte and Tore Salario.
anonyme französische Goldschmiedemeister anonymous french master goldsmiths
collection of tiara combs1800-1815
cast, chiselled, engraved
The tiara combs are made out of gold, guilt silver and brass. One comb is decorated with facetted coral beads, the other with facetted black glass beads.
Rozet & Fischmeister
Vienna 1770baby-bulldog
Um 1925
Muzzle, paws and nose are highlighted by iridescent orange-rose-coloured enamel. The muzzle is set with rose-cut diamonds.
Alfred Kubin
Leitmeritz/Böhmen 1877 - 1959 Zwickledt, Wernstein/InnCamel Rider
ca. 1905
Paste-paint (gouache, watercolour, gum Arabic and pastel) on paper
Karl Schmidt-Rottluff
Chemnitz 1884 - 1976 BerlinStill Life with a Calabash Bottle
1915
Oil on canvas
Exhibitions: Kirchner-Heckel-Nolde, Die Sammlung Werner, Albertina Museum, Vienna 30.05.-26.08.2012 -- Karl Schmidt-Rottluff The Magic of Things, 27.01.-21.05.2018, Bucerius Kunst Forum, Hamburg.
Alfred Kubin
Leitmeritz/Böhmen 1877 - 1959 Zwickledt, Wernstein/InnHodgepodge House
um 1905/10
Friedensreich Hundertwasser
Vienna 1928 - 2000 Aboard the Queen Elizabeth II, near New ZealandThe Symptoms of the Illness Beautify the Sun
1957
Watercolour and oil on paper primed with chalk, zinc white and fish glue
Egon Schiele
Tulln a. d. Donau 1890 - 1918 ViennaStanding Woman, Study of Legs
1913
Pencil on paper
Jutta Sika
Linz 1877 - 1964 LinzBowl with brass mounting
1902