Gerhard Richter
Dresden 1932Fuji
1996
oil on alucobond
'Fuji' is a series of a total of 110 small-format unique paintings that Richter created in 1996 for the Städtische Galerie im Lenbachhaus in Munich to support the purchase of his monumental Atlas. The present work is number 42 in this series. Although 'Fu
Piero Dorazio
Rome 1927 - 2005 TodiEx Tempore II
1963
Oil on canvas
Dorazio’s pictures certainly did not evolve offhand or extempore (‘ex tempore’). His habit was never using titles to explain his works and refusing to interpret his paintings. The artist defined a painting as something that speaks to the viewer free from
Heinz Mack
Lollar 1931Unitled (Dynamic Structure)
1961
oil and synthetic resin on canvas
In the years from 1956 to 1968 Heinz Mack created an extensive oeuvre of paintings, with which the
artist opens a new chapter in art history. It is the birth of the ZERO movement. The founders in Germany Heinz Mack and Otto Piene, a little later Günther
Heiliger Sebastian
Saint Sebastian, Southern Germany1689
Fruitwood
On the original pedestal the coat of arms of the Prince-Bishop of Bamberg, Marquard Sebastian Schenk von Stauffenberg (1644 Eichstätt–1693 Bamberg, prince-bishop from 1683). On both banderoles to the left and right of the imperial crown – which is a symb
Tilman Riemenschneider, zugeschrieben
Heiligenstadt 1460 - 1531 WürzburgChrist Crucified
c. 1605
Fruitwood
Collection Professor Wilhelm von Miller (1848 - 1899 Munich); acquired in 1907 by Julius Böhler from von Millers estate; since then in family ownership.
Josef Albers
Bottrop 1888 - 1976 New Haven, CTStudy on Homage to the Square, without year (sixties)
1960er Jahre
Oil on blotting paper
Inv. No. of the Josef and Anni Albers Foundation: 1976.2.131
Provenance: Private collection, acquired from the estate of the artist
Shown in the exhibition Malerei auf Papier. Josef Albers in America
Staatliche Graphische Sammlung Munich; Josef Albers
Potsdam um 1760/70, aus der Werkstatt der Gebrüder Spindler (Johann Friedrich, 1726 - um 1799 und Heinrich Wilhelm, 1738-1788)
Bedeutende Kommode aus dem friderizianischen Rokoko aus dem Umkreis Friedrichs des GroßenEin wiederholt auftretendes Motiv an diesen Potsdamer Kommoden ist – wie auch bei dieser – die Gliederung der Front in drei große, von Volutenspangen aus grün koloriertem Ahorn geformte Kartuschen. Korrespondierend dazu fällt auch die Gestaltung der Pla
St. Petersburg, 1899-1908
Seltene, wunderbar erhaltene Fabergé-TischuhrDas flache, runde Gehäuse ist dekoriert mit einem Ring aus Halbperlen als Einfassung des Zifferblatts, je einem transluziden Emailstreifen in Rot und Weiß über konzentrisch guillochierten Strahlen und einer Einrahmung aus einem zweifarbig vergoldeten, g
Peter Ohr I., um 1660
Meisterlicher Hamburger SilberhumpenSilber mit Teilvergoldung, gemarkt mit Hamburger Beschau von 1654-74 und Meistermarke Peter Ohr I. (1647-62). Auf dem Standwulst und dem Deckel umlaufendes Fries aus naturalistischen Tulpen- und Narzissenblüten, die zylindrische Wandung mit einem Reigen
Alfons Walde
Oberndorf 1891 - 1958 KitzbühelBauernsonntag
um 1933
Oil on Cardboard
signed lower right; revers artist's label; original frame, catalogue raisonné No. D-FI-294, rememberance exibition 1959
Alfons Walde
Oberndorf 1891 - 1958 KitzbühelHof am Kaisergebirge
1935
Öl auf Karton
signiert unten rechts; rückseitig Atelieretikett
Alfons Walde
Oberndorf 1891 - 1958 KitzbühelEinsamer Berghof
1935
Öl auf Platte
signiert unten rechts; rückseitig Atelieretikett.
Terry O'Neill
London 1938 - 2019 LondonBrigitte Bardot - cigar
1971
gelatin silver photograph
signed by Brigitte Bardot and Terry O'Neill
SEBASTIÃO SALGADO
1944 in Aimorés, Minas Gerais, Brasilien 1944Brooks Range, Alaska
2009
gelatin silver photograph
signed verso
Steve McCurry
Philadelphia, CT, USA 1950Afghan girl
1984
C – print on Fuji Flex crystal archive paper
signed verso
Svenja John
1963Wittenberg 04
2014
Traditional Handcraft, Water Jet-Cutting
Technology: Water Jet-Cutting / Traditional Handcraft
Manfred Mayerle
Munich 1939Beyond the Sea
2016
Painting, Acryl on Canvas, framed
Vera Mercer
19362013
Installation, Photographie, gerahmt
Paper: Hahnemühle Paper, Photo Rag Ultra Smooth 305 gsm, 100 % Cotton
Print by the Artist
Bruno Piglhein
Hamburg 1848 - 1894 MunichEgyptian Sword Dancer
1891
Oil on canvas
Signed lower right
Provenance:
– The artist’s estate
– Friedrich Alfred Krupp (1854-1902), Essen, acquired at the Bruno Piglhein Estate Exhibition held at the Nationalgalerie in Berlin (1895)
– Margarethe Krupp (1854-1931), Essen
– Bertha Krupp von
Franz von Stuck
Tettenweis 1863 - 1928 MunichLovers at the edge of the woods
um 1892
Oil on canvas
Signed lower right
Provenance:
– Private collection Baden-Württemberg
– Gallery Ritthaler
– Private collection Bavaria
Exhibition:
– Landkreisgalerie Passau at Neuburg Castle, 150 Jahre Franz von Stuck, 1863-1928, 2013
– Österreichische Galerie
Ferdinand von Reznicek
Vienna 1868 - 1909 MunichPierrot
1895
Oil on canvas
Signed, inscribed and dated lower right: “Reznicek/Mchn.95.”
Pair of large Malabar figures, Meissen rd. 1750
Models by Friedrich E. Meyer, 1748/49
Cast and decoration rd. 1750
33 cm high, underglaze blue swords mark,
Provenance: Coll. Arnhold (no. 57); Coll. Fribourg (II no. 478)
Models by Friedrich E. Meyer, 1748/49
Cast and decoration rd. 1750
33 cm high, underglaze blue swords mark,
Provenance: Coll. Arnhold (no. 57); Coll. Fribourg (II no. 478)
An unique ensemble of three Shiba Onko dishes from the collection of Augustus the Strong, Meissen 1729/30
The left octagonal dish (with traces of the palace number “N=71” for the Japanese original and the palace number “N=153-W”, Ø 21,5 cm) was used in the manufactory as a Höroldt model for the octagonal Shiba Onko “Confect-Schalen”, along with another one th
The left octagonal dish (with traces of the palace number “N=71” for the Japanese original and the palace number “N=153-W”, Ø 21,5 cm) was used in the manufactory as a Höroldt model for the octagonal Shiba Onko “Confect-Schalen”, along with another one th
A pair of Japanese Arita models cock and hen with vermeil mount
Japan, Arita late 17th – early 18th century
Decorated in colourful enamel colours
Vermeil mount, Paris mid 18th century
cock: 21,8 cm high
hen: 20,3 cm high
Japan, Arita late 17th – early 18th century
Decorated in colourful enamel colours
Vermeil mount, Paris mid 18th century
cock: 21,8 cm high
hen: 20,3 cm high
Magnificent rock-crystal tankard owned by the Passau Humanist Leonhard Baminger (1495-1567)
ca 1565
Rock crystal; mount: fire-gilt copper
Stone cutting: Freiburg im Breisgau, ca 1565
Mount: probably Strasbourg, ca 1565
ca 1565
Rock crystal; mount: fire-gilt copper
Stone cutting: Freiburg im Breisgau, ca 1565
Mount: probably Strasbourg, ca 1565
Leonhard Kern
Forchtenberg 1588 - 1662 Schwäbisch HallMemento Mori – St Magdalena
ca 1632
Ivory
Collection of turned works of art
Turned bone, nutmeg, glass
South German, Berchtesgaden, late 17th century
Turned bone, nutmeg, glass
South German, Berchtesgaden, late 17th century
François Habert
active in France mid 17th. cent.Magnificent still life
oil/ canvas
silver-gilt table ware arranged with fruits and flowers on a silk draped stone table demonstrates the technical mastery in rendering varied surfaces.
Christoph Jamnitzer
Nuremberg 1563 - 1618 NurembergNarcissus at the source
um 1600
cast, chased and gilded silver-relief
Prov.: J.&S.Goldschmidt, Frankfurt a.M., until 1923; collection Baurat Manz, Stuttgart and his heirs until 1960; private collection South Germany
Lit.: Kris / v. Falke 1926, p.192 , fig. 9; Marc Rosenberg, Der Goldschmiede Merkzeichen, Vol.III, Nr.3839
Gottfried Bartermann
Danzig 1705 - 1769 AugsburgRococo silver tureen and cover, Augsburg
um 1763-1765
Cast, chased and engraved silver, partly gilded
hallmark of Augsburg: Pyr (1763-1765)
maker´s mark: "GB" (Seling Nr. 2248, fig. 736)
Tureens by G. Bartermann are exh. in Munich Residence and Bayerisches Nationalmuseum
Suzanne Belperron
Saint-Claude, Jura 1900 - 1983 ParisMelange Brooch
1955
surmounted by a cluster of 5 pear-shaped aquamarines, rubies and old-cut diamonds
with certificate of authenticity B57306152018 dated June 15th, 2018 by Belperron LLC stating that the year of production was between 1955 and 1969
Cartier
Paris 1847Cartier art deco enamel pocket watch
1928
platinum and rose-cut diamonds
The centre of the dial embellished with cream coloured ridged enamel, surrounded by roman numerals on black enamel adorned with rose-cut diamonds, the case bordered with a row of circular-cut diamonds, the reverse in black enamel, mounted in platinum, wit
n. n.
ANTIQUE TURQUOISE & PEARL DOVE BROOCH, ca 1870ca. 1870
Lotte Laserstein
1898 - 1993PORTRAIT STUDY IN PROFILE
1941
charcoal on paper, heightened in colour
PORTRAIT STUDY IN PROFILE
Executed around 1941
Signed lower right: Lotte Laserstein
Charcoal and coloured crayon on paper
34 by 45 cm
Provenance:
From the estate of Lotte Laserstein;
Svenska Kommittén för Barn- och Ungdomsalijah, inventory no. 1
Lotte Laserstein
Preußisch Holland / Königsberg 1898 - 1993 Kalmar / SchwedenBLOND BOY WITH CAP
1950
Pastel, chalk and charcoal on paper
BLOND BOY WITH CAP
Executed around 1950
Pastel, chalk and charcoal on paper, 38 by 38 cm.
Signed lower right: Lotte Laserstein
Certificate of authenticity by Dr. Anna-Carola Krausse, Berlin, 28th October 2018
Johann Joachim Kaendler (1706-1775)
Fischbach 1706 - 1775 MeißenGlorification of the electorate of Saxony with the portrait of Maria Josepha of Austria. Model by Johann Joachim Kaendler, between December 1765 and February 1766, commissioned by Prince Xaver of Saxony-Poland and his wife on the occassion of the saint‘s
1730
Hard-paste porcelain
Underglaze blue crossed swords mark
H. 37,5 cm (14.57 in.)
Johann Gregorius Höroldt
Jena 1696 - 1775 MeißenTea and coffee service in a leather case. Consisting of six cups with saucers, coffee pot, teapot, slop bowl, tea caddy, sugar box and six original Augsburg Re?gence silver spoons. Meissen, c. 1722/23
1722/23
Hartporzellan
The sugar box and teapot bear the “KPM” mark in underglaze blue. All pieces with gold number 61. Silver-gilt mount (coffee pot), maker’s mark "EA" for Elias Adam (1669–1745) and Augsburg hallmark, 1723–1735
Height 23.5 cm, width 55 cm, depth 35 cm (leat
Emil Nolde
Nolde 1867 - 1956 SeebüllMask and flowers
1919
Oil on canvas
Alexej von Jawlensky
Torschok 1864 - 1941 WiesbadenVariation: snowflakes
1915
Oil on canvas textured paper, laid down on cardboard
Franz Marc
Munich 1880 - 1916 near VerdunDog in front of the world
1911/12
Black chalk and pencil on sketchbook paper
Jeanloup Sieff Jeanloup Sieff
Paris 1933 - 2000 ParisYves Saint-Laurent, Paris
1971
Vintage gelatin silver print
Estate stamp and signed by Barbara Sieff, executor of the estate
Christopher Thomas
Munich 1961Flat Iron
2001
b/w Polaroid Type55
Unique
Signed, titled and dated on verso
Angel, Anna Albarrán Cabrera
Barcelona, Sevilla 1969The Mouth of Krishna, #992
2018
Cyanotype on glass with gold leaf and Kozo paper
Edition of 15 plus 2 APs
Signed, titled, dated and numbered in pencil on verso
Lionel-Aristide Le Couteux
Mans, France 1847 - unknownArt Nouveau necklace Belionota Sumptuosa and marguerites
1900
Le Couteux exhibited at the Paris Salons in 1901, 1902 and 1903 (Vivienne Becker, Art Nouveau Jewellery, 1985)
E.Benezit,Dictionnaire des Peintres...Gold Medal World Exhibition 1889, 1899 Paris Salons Society des Artistes, Medal of Honor, 1900 Grand Pri
Anonymer französischer Goldschmied Anonymous french goldsmith
Gold sautoir with polychrome enamel painting1820
18 karat gold, double sided enamel
This wonderful sautoir has survived, although worn with much love, the last 200 years in remarkable good condition. The chain has retained it's original length.