Dresden 1932 Fuji 1996 oil on alucobond 'Fuji' is a series of a total of 110 small-format unique paintings that Richter created in 1996 for the Städtische Galerie im Lenbachhaus in Munich to support the purchase of his monumental Atlas. The present work is number 42 in this series. Although 'Fu
Piero Dorazio
Rome 1927 - 2005 Todi Ex Tempore II 1963 Oil on canvas Dorazio’s pictures certainly did not evolve offhand or extempore (‘ex tempore’). His habit was never using titles to explain his works and refusing to interpret his paintings. The artist defined a painting as something that speaks to the viewer free from
Heinz Mack
Lollar 1931 Unitled (Dynamic Structure) 1961 oil and synthetic resin on canvas In the years from 1956 to 1968 Heinz Mack created an extensive oeuvre of paintings, with which the
artist opens a new chapter in art history. It is the birth of the ZERO movement. The founders in Germany Heinz Mack and Otto Piene, a little later Günther
Heiliger Sebastian
Saint Sebastian, Southern Germany 1689 Fruitwood On the original pedestal the coat of arms of the Prince-Bishop of Bamberg, Marquard Sebastian Schenk von Stauffenberg (1644 Eichstätt–1693 Bamberg, prince-bishop from 1683). On both banderoles to the left and right of the imperial crown – which is a symb
Tilman Riemenschneider, zugeschrieben
Heiligenstadt 1460 - 1531 Würzburg Christ Crucified c. 1605 Fruitwood Collection Professor Wilhelm von Miller (1848 - 1899 Munich); acquired in 1907 by Julius Böhler from von Millers estate; since then in family ownership.
Max Ernst
1891 - 1976 Janus 1974 Bronze, black patinated
Hans Hartung
1904 - 1989 1960 Charcoal, pastel, grattage on baryta paper, mounted on cardboard
Roy Lichtenstein
1923 - 1997 1994 Relief print in colours
A Torso of an Ephebe or Young Athlete 200 B.C. Marmor Formerly Coll. Prof. Hans Dahn (1919-2019), Lausanne; acquired 15.1.1957 in Basel. Publ.: K. Schefold, Meisterwerke griechischer Kunst (Basel 1960) 268 f., no. VII 361 with illus.
Minjung Kim
Daegu, South Korea 1962 New York 2020 ink on Mulberry Hanji collaged
Minjung Kim
Daegu, South Korea 1962 The Street 2019 Mixed media from Mulberry Hanji
Minjung Kim
Daegu, South Korea 1962 Grey Mountain 2007 ink on Mulberry Hanji
Josef Albers
Bottrop 1888 - 1976 New Haven, CT Study on Homage to the Square, without year (sixties) 1960er Jahre Oil on blotting paper Inv. No. of the Josef and Anni Albers Foundation: 1976.2.131
Provenance: Private collection, acquired from the estate of the artist
Shown in the exhibition Malerei auf Papier. Josef Albers in America
Staatliche Graphische Sammlung Munich; Josef Albers
Marino Marini
1901 - 1980 1960
Georges Braque
Argenteuil 1882 - 1963 Paris Le tir à l'arc 1958
Potsdam um 1760/70, aus der Werkstatt der Gebrüder Spindler (Johann Friedrich, 1726 - um 1799 und Heinrich Wilhelm, 1738-1788)
Bedeutende Kommode aus dem friderizianischen Rokoko aus dem Umkreis Friedrichs des Großen Ein wiederholt auftretendes Motiv an diesen Potsdamer Kommoden ist – wie auch bei dieser – die Gliederung der Front in drei große, von Volutenspangen aus grün koloriertem Ahorn geformte Kartuschen. Korrespondierend dazu fällt auch die Gestaltung der Pla
St. Petersburg, 1899-1908
Seltene, wunderbar erhaltene Fabergé-Tischuhr Das flache, runde Gehäuse ist dekoriert mit einem Ring aus Halbperlen als Einfassung des Zifferblatts, je einem transluziden Emailstreifen in Rot und Weiß über konzentrisch guillochierten Strahlen und einer Einrahmung aus einem zweifarbig vergoldeten, g
Peter Ohr I., um 1660
Meisterlicher Hamburger Silberhumpen Silber mit Teilvergoldung, gemarkt mit Hamburger Beschau von 1654-74 und Meistermarke Peter Ohr I. (1647-62). Auf dem Standwulst und dem Deckel umlaufendes Fries aus naturalistischen Tulpen- und Narzissenblüten, die zylindrische Wandung mit einem Reigen
Alfons Walde
Oberndorf 1891 - 1958 Kitzbühel Bauernsonntag um 1933 Oil on Cardboard signed lower right; revers artist's label; original frame, catalogue raisonné No. D-FI-294, rememberance exibition 1959
Alfons Walde
Oberndorf 1891 - 1958 Kitzbühel Hof am Kaisergebirge 1935 Öl auf Karton signiert unten rechts; rückseitig Atelieretikett
Archaic Bronze Ritual Food vessel 'Liding' 12th ct. BC. Bronze Ritual Food Vessel on a three lobed body, greyish-green patina, late Shang-Period (12. century BC).
Thomas Müller
Germany 1959 Untitled (PH 523) 2019 Oil on paper
Reinoud Oudshoorn
The Netherlands 1953 Untitled (C-19) 2019 Frosted glass and iron
Andy Harper
United Kingdom 1971 Rohrbach 2020 Oil on canvas
Terry O'Neill
London 1938 - 2019 London Brigitte Bardot - cigar 1971 gelatin silver photograph signed by Brigitte Bardot and Terry O'Neill
SEBASTIÃO SALGADO
1944 in Aimorés, Minas Gerais, Brasilien 1944 Brooks Range, Alaska 2009 gelatin silver photograph signed verso
Steve McCurry
Philadelphia, CT, USA 1950 Afghan girl 1984 C – print on Fuji Flex crystal archive paper signed verso
Svenja John
1963 Wittenberg 04 2014 Traditional Handcraft, Water Jet-Cutting Technology: Water Jet-Cutting / Traditional Handcraft
Manfred Mayerle
Munich 1939 Beyond the Sea 2016 Painting, Acryl on Canvas, framed
Vera Mercer
1936 2013 Installation, Photographie, gerahmt Paper: Hahnemühle Paper, Photo Rag Ultra Smooth 305 gsm, 100 % Cotton
Print by the Artist
Maria mit Kind
Schwäbisch, um 1480
Lindenholz, rückseitig gehölt
Teile der originalen Fassung
H: 121 cm
Ex Coll. Hartmann, Frankfurt
Yusuke Yamamoto
A modern "Soughing Wood Vessel" vase Edinburgh 2020
Nan Nan Liu
A modern bowl London 2018
Ane Christensen
A pair of modern sterling silver candelabras London 2020
Bruno Piglhein
Hamburg 1848 - 1894 Munich Egyptian Sword Dancer 1891 Oil on canvas Signed lower right
Provenance:
– The artist’s estate
– Friedrich Alfred Krupp (1854-1902), Essen, acquired at the Bruno Piglhein Estate Exhibition held at the Nationalgalerie in Berlin (1895)
– Margarethe Krupp (1854-1931), Essen
– Bertha Krupp von
Franz von Stuck
Tettenweis 1863 - 1928 Munich Lovers at the edge of the woods um 1892 Oil on canvas Signed lower right
Provenance:
– Private collection Baden-Württemberg
– Gallery Ritthaler
– Private collection Bavaria
Exhibition:
– Landkreisgalerie Passau at Neuburg Castle, 150 Jahre Franz von Stuck, 1863-1928, 2013
– Österreichische Galerie
Ferdinand von Reznicek
Vienna 1868 - 1909 Munich Pierrot 1895 Oil on canvas Signed, inscribed and dated lower right: “Reznicek/Mchn.95.”
Pair of large Malabar figures, Meissen rd. 1750 Models by Friedrich E. Meyer, 1748/49
Cast and decoration rd. 1750
33 cm high, underglaze blue swords mark,
Provenance: Coll. Arnhold (no. 57); Coll. Fribourg (II no. 478)
An unique ensemble of three Shiba Onko dishes from the collection of Augustus the Strong, Meissen 1729/30 The left octagonal dish (with traces of the palace number “N=71” for the Japanese original and the palace number “N=153-W”, Ø 21,5 cm) was used in the manufactory as a Höroldt model for the octagonal Shiba Onko “Confect-Schalen”, along with another one th
A pair of Japanese Arita models cock and hen with vermeil mount Japan, Arita late 17th – early 18th century
Decorated in colourful enamel colours
Vermeil mount, Paris mid 18th century
cock: 21,8 cm high
hen: 20,3 cm high
Magnificent rock-crystal tankard owned by the Passau Humanist Leonhard Baminger (1495-1567) ca 1565 Rock crystal; mount: fire-gilt copper Stone cutting: Freiburg im Breisgau, ca 1565
Mount: probably Strasbourg, ca 1565
Leonhard Kern
Forchtenberg 1588 - 1662 Schwäbisch Hall Memento Mori – St Magdalena ca 1632 Ivory
Collection of turned works of art Turned bone, nutmeg, glass South German, Berchtesgaden, late 17th century
François Habert
active in France mid 17th. cent. Magnificent still life oil/ canvas silver-gilt table ware arranged with fruits and flowers on a silk draped stone table demonstrates the technical mastery in rendering varied surfaces.
Christoph Jamnitzer
Nuremberg 1563 - 1618 Nuremberg Narcissus at the source um 1600 cast, chased and gilded silver-relief Prov.: J.&S.Goldschmidt, Frankfurt a.M., until 1923; collection Baurat Manz, Stuttgart and his heirs until 1960; private collection South Germany
Lit.: Kris / v. Falke 1926, p.192 , fig. 9; Marc Rosenberg, Der Goldschmiede Merkzeichen, Vol.III, Nr.3839
Gottfried Bartermann
Danzig 1705 - 1769 Augsburg Rococo silver tureen and cover, Augsburg um 1763-1765 Cast, chased and engraved silver, partly gilded hallmark of Augsburg: Pyr (1763-1765)
maker´s mark: "GB" (Seling Nr. 2248, fig. 736)
Tureens by G. Bartermann are exh. in Munich Residence and Bayerisches Nationalmuseum
Suzanne Belperron
Saint-Claude, Jura 1900 - 1983 Paris Melange Brooch 1955 surmounted by a cluster of 5 pear-shaped aquamarines, rubies and old-cut diamonds with certificate of authenticity B57306152018 dated June 15th, 2018 by Belperron LLC stating that the year of production was between 1955 and 1969
Cartier
Paris 1847 Cartier art deco enamel pocket watch 1928 platinum and rose-cut diamonds The centre of the dial embellished with cream coloured ridged enamel, surrounded by roman numerals on black enamel adorned with rose-cut diamonds, the case bordered with a row of circular-cut diamonds, the reverse in black enamel, mounted in platinum, wit
n. n.
ANTIQUE TURQUOISE & PEARL DOVE BROOCH, ca 1870 ca. 1870
Lotte Laserstein
1898 - 1993 PORTRAIT STUDY IN PROFILE 1941 charcoal on paper, heightened in colour PORTRAIT STUDY IN PROFILE
Executed around 1941
Signed lower right: Lotte Laserstein
Charcoal and coloured crayon on paper
34 by 45 cm
Provenance:
From the estate of Lotte Laserstein;
Svenska Kommittén för Barn- och Ungdomsalijah, inventory no. 1
Lotte Laserstein
Preußisch Holland / Königsberg 1898 - 1993 Kalmar / Schweden BLOND BOY WITH CAP 1950 Pastel, chalk and charcoal on paper BLOND BOY WITH CAP
Executed around 1950
Pastel, chalk and charcoal on paper, 38 by 38 cm.
Signed lower right: Lotte Laserstein
Certificate of authenticity by Dr. Anna-Carola Krausse, Berlin, 28th October 2018
Johann Joachim Kaendler (1706-1775)
Fischbach 1706 - 1775 Meißen Glorification of the electorate of Saxony with the portrait of Maria Josepha of Austria. Model by Johann Joachim Kaendler, between December 1765 and February 1766, commissioned by Prince Xaver of Saxony-Poland and his wife on the occassion of the saint‘s 1730 Hard-paste porcelain Underglaze blue crossed swords mark
H. 37,5 cm (14.57 in.)
Johann Gregorius Höroldt
Jena 1696 - 1775 Meißen Tea and coffee service in a leather case. Consisting of six cups with saucers, coffee pot, teapot, slop bowl, tea caddy, sugar box and six original Augsburg Re?gence silver spoons. Meissen, c. 1722/23 1722/23 Hartporzellan The sugar box and teapot bear the “KPM” mark in underglaze blue. All pieces with gold number 61. Silver-gilt mount (coffee pot), maker’s mark "EA" for Elias Adam (1669–1745) and Augsburg hallmark, 1723–1735
Height 23.5 cm, width 55 cm, depth 35 cm (leat
Emil Nolde
Nolde 1867 - 1956 Seebüll Mask and flowers 1919 Oil on canvas
Alexej von Jawlensky
Torschok 1864 - 1941 Wiesbaden Variation: snowflakes 1915 Oil on canvas textured paper, laid down on cardboard
Franz Marc
Munich 1880 - 1916 near Verdun Dog in front of the world 1911/12 Black chalk and pencil on sketchbook paper
Karl Hofer
1878 - 1955 1954
Eduard Bargheer
1901 - 1979 1950
Georg Baselitz
1938 1988
Jeanloup Sieff Jeanloup Sieff
Paris 1933 - 2000 Paris Yves Saint-Laurent, Paris 1971 Vintage gelatin silver print Estate stamp and signed by Barbara Sieff, executor of the estate
Christopher Thomas
Munich 1961 Flat Iron 2001 b/w Polaroid Type55 Unique
Signed, titled and dated on verso
Angel, Anna Albarrán Cabrera
Barcelona, Sevilla 1969 The Mouth of Krishna, #992 2018 Cyanotype on glass with gold leaf and Kozo paper Edition of 15 plus 2 APs
Signed, titled, dated and numbered in pencil on verso
Interieur Galerie Stefan Vogdt
Alvar Aaalto
Kuortane, Finnland 1898 - 1976 Helsinki, Finnland
Yamamoto Masao
Aichi, Japan 1957 Kawa= Flow #1688 2018 Photography
Lionel-Aristide Le Couteux
Mans, France 1847 - unknown Art Nouveau necklace Belionota Sumptuosa and marguerites 1900 Le Couteux exhibited at the Paris Salons in 1901, 1902 and 1903 (Vivienne Becker, Art Nouveau Jewellery, 1985)
E.Benezit,Dictionnaire des Peintres...Gold Medal World Exhibition 1889, 1899 Paris Salons Society des Artistes, Medal of Honor, 1900 Grand Pri
Anonymer französischer Goldschmied Anonymous french goldsmith
Gold sautoir with polychrome enamel painting 1820 18 karat gold, double sided enamel This wonderful sautoir has survived, although worn with much love, the last 200 years in remarkable good condition. The chain has retained it's original length.
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